1596-99 Pen and pale-brown ink and wash on off-white paper, 337 x 210 mm J. Paul Getty Museum, Los Angeles This is one of he very few drawings universally accepted as by El Greco. It is a study for the Crucifixion in the Prado, Madrid. It shows the figure of St John the Evangelist, who in the painting is stationed at the foot of the cross on the right side looking up at the crucified Christ. The pose and the gestures are virtually identical. The principal difference is in the figure of the angel, who in the drawing is very close to the saint, whereas in the painting the figures do not overlap at all
Painting ID:: 62293
El Greco Greek-born Spanish Mannerist Painter, 1541-1614
Considered a representative of late Renaissance Spanish art, El Greco was actually born in Greece, on the island of Crete. After studying in Venice under Titian, El Greco settled in Toledo, Spain in 1577. At the time he was wildly popular, his emotionally religious paintings being just the ticket for the hometown of the Spanish Inquisition. After his death his work was largely ignored until the beginning of the 20th century; now he considered one of the inspired geniuses of Western art. His distinctive style features bold shapes and colors, with elongated and slightly distorted figures.
In Toledo El Greco was in constant demand and liked living large: he maintained a private orchestra to accompany his meals. Study for St John the Evangelist and an Angel 1596-99 Pen and pale-brown ink and wash on off-white paper, 337 x 210 mm J. Paul Getty Museum, Los Angeles This is one of he very few drawings universally accepted as by El Greco. It is a study for the Crucifixion in the Prado, Madrid. It shows the figure of St John the Evangelist, who in the painting is stationed at the foot of the cross on the right side looking up at the crucified Christ. The pose and the gestures are virtually identical. The principal difference is in the figure of the angel, who in the drawing is very close to the saint, whereas in the painting the figures do not overlap at all
